#OTD in 2014, Georgia O'Keeffe's 1932 painting, Jimson Weed/White Flower No. 1, sold for $44.4 million. The record for the highest price paid for a painting by a woman. #art #AmericanModerism

However, the O'Keeffe painting's record may fall...this very night (1/2).

Split image. Left: A black-and-white portrait of artist Georgia O'Keeffe and right: a colorful painting of a large white flower. 
The black-and-white photograph shows O'Keeffe from the chest up, gazing off to the side with her dark hair pulled back. She is wearing a dark top. The painting on the right is titled Jimson Weed/White Flower No. 1 (1932), one of O'Keeffe's most famous works. It is an oil on canvas painting that fills the frame with a magnified view of a white jimson weed blossom set against lush green leaves and a blue background. The flower is highly detailed with ruffled edges, emphasizing its natural beauty and form.

Replies

  1. After 26 years, we finally had to cut down two Juniper trees, who's shade was causing a water line to freeze. Up popped a Jimson Weed, in all its glory. Awesome plant with awesome flowers. Someone (deer?), after it had run its course, ate all but the seed pods. We looked for a whacko, but none.

    2
  2. Tonight, Frida Kahlo's El sueño (La cama)--The Dream (The Bed)--will be auctioned and Sotheby's estimates it will sell for between $40 & $60 million. New record? Stay tuned. #art #MagicRealism

    Split-image tribute to Frida Kahlo. Left: Black-and-white portrait of a young Frida Kahlo, her dark hair pulled back and up, wearing large dangling earrings, multiple necklaces, and a dark rebozo draped over her shoulders. She gazes directly at the camera with her signature intense, unflinching expression. Right: Her painting El sueño (La cama)--The Dream (The Bed)--Kahlo lies on her side, asleep, under a yellow blanket. Her brown-black hair is down, and green vines and leaves are wrapped around her and the blanket, signifying life and renewal. A large, white skeleton, which is life-sized for the bed, rests on its side above Kahlo on the canopy of the bed. Wires and explosives are wrapped around the skeleton, and it holds a bouquet of flowers. This contrasts with the vines on Kahlo, suggesting the intertwining of life and death. The skeleton is a papier-mâché one, similar to one Kahlo had in real life.
    6