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Densho

@denshoproject.bsky.social

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Preserves and shares history of the WWII incarceration of Japanese Americans to promote equity and justice today.

  1. The Civil Liberties Act of 1988 marked a pivotal moment in U.S. history in which the government offered reparations for Japanese American WWII incarceration. Use these Densho resources to explore crucial lessons of the Japanese American Redress Movement.

    This month, we commemorate the Civil Liberties Act of 1988, marking a pivotal moment in U.S. history in which the government offered redress and reparations for the forced displacement and...

    Exploring Lessons of the Japanese American Redress Movement - Densho: Japanese American Incarceration and Japanese Internment

    This month, we commemorate the Civil Liberties Act of 1988, marking a pivotal moment in U.S. history in which the government offered redress and reparations for the forced displacement and...

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  2. After the war, Yamamoto returned to Los Angeles and took a job as a reporter for the Los Angeles Tribune, an African American weekly. She earned a fellowship and began to publish works in prestigious publications like Partisan Review, Kenyon Review, and Harper's Bazaar.

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  3. This is a crucial moment to safeguard our collective memory, especially as efforts to erase our histories grow stronger. Become a monthly donor and ensure stories of Japanese American WWII incarceration—and the lessons they carry—remain visible, powerful, and protected. densho.org/historykeepe...

    Photo of a Japanese American man holding a young child and pointing to a barbed wire fence at the former Tule Lake concentration camp in 1974. Text reads, 'Safeguarding our collective memory.'
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  4. David Sakura was 6 years old when he was forcibly removed to the Puyallup Assembly Center and Minidoka concentration camp with his parents & younger siblings. He describes the traumatic impact of this experience on his 3yo brother: “I remember him crying constantly. My mother couldn’t console him.”

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  5. Returning to Los Angeles in 1946, he started a commercial art studio in Hollywood and worked for several Japanese American newspapers. He covered the trial of Iva Toguri, known as “Tokyo Rose,” and was later investigated by the FBI for his association to the Nisei Progressives.

    Pacific Citizen cartoon of Iva Toguri by Chris Ishii, September 3, 1949. The drawing shows Toguri seated in a courtroom with observers behind her.
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